Quiet Lines writing-desk

Product Codes

Writing-Desk

QL120SC

Warnings

Keep for reference: read carefully.

Always remember to be careful not to use the product improperly, considering its designated functions.

When the product is no longer used, do not abandon it, but take it to a suitable public waste collection facility.

To maintain the quality and finish of the surface, it is advisable to use protective articles (e.g. placemats or trivets) under objects that could scratched it.

This product sheet complies with the legal obligations pursuant to the "Consumer Code" Decree n. 206 dated 6/9/2005 and the "Actuation Regulation" Decree n. 101 dated 8/2/1997.

Materials

Support frame
aluminium and steel

Top
glass

Lower top
hard polyurethane

Back panel
MDF wood fibre panel

Ferrules
thermoplastic material

Cover
leather

Maintenance

Cover (Alfa, Beta, Gamma, Koto leather)

For regular cleaning, we recommend a weekly dusting with a soft cotton cloth. If the cover is stained, promptly remove the cause and dry the affected area.
Finally, wipe with a sponge dampened with water and mild detergent (or water and milk).
Wipe with a gentle circular motion and work from the outside of the stain toward the inside.
The action should be more like a skin massage than mechanical rubbing.
Before applying any product over broad areas, it is advisable to test the effectiveness of the procedure by applying the product on a small, hidden area, even though the product may be specifically designed for the material.
After cleaning, apply a solution of water and milk to restore the protective qualities and softness of the leather.
Remember that leather treated with aniline is highly absorbent and may require more frequent cleaning when subjected to heavy-duty use in high-traffic areas.
Two or three times a year, we recommend applying products included in the 'Kit for leather maintenance and cleaning' by B&B Italia (code SETPN) using a soft cloth. The kit is available from our Stores and dealers.

Cover (Kasia leather)

Regularly clean with a soft, dry cotton cloth to release the dust from the pores. Avoid strenuous rubbing.
If the cover is stained, immediately pat the stain with a paper towel or dry cloth. Try to absorb the stain without vigorous rubbing.
Never apply a liquid on this leather - not even detergent specially designed for cleaning it.
For further information on Kasia leather, kindly read the attached brochure.

Glass

Dust the entire surface carefully to remove any dust (use a soft white cloth).
We advise using normal commercial products for cleaning delicate surfaces.
Rub the surface to be cleaned gently without concentrating just on the area requiring attention: start instead with a larger section and gradually work your way towards the area in the middle.
That way, you will avoid rings or scratches forming, which may be produced if you apply too much pressure to the surface.
Never use solvents or abrasive detergents.

Aluminium - Steel

We advise using normal commercial products for cleaning delicate surfaces and/or warm water and neutral soap.
Never use abrasives or products containing solvents, ammonia and/or alcohol.
Make sure to dry the surfaces completely after washing.

Instructions

Download PDF

Designer

Gabriel Tan

Gabriel Tan is a designer based in Singapore and Porto. In 2006 he co-founded the Singapore and Barcelona based design collective Outofstock, where he was a partner for 10 years. He started his design practice - Gabriel Tan Studio, and interior architecture firm - Studio Antimatter, in 2016, then relocated to Portugal in 2020 to establish his European studio. A designer working at cultural intersections, Gabriel Tan often explores new ways to reinterpret tradition, craft or technology. He has designed furniture and products for both progressive and historic international brands while creative directing Japanese furniture brand Ariake and his craft driven design brand Origin Made.

A former navy man who made the switch to industrial design, Gabriel Tan's ability to redefine existing archetypes and sensitivity to details are key to his work. Being based in both Singapore and Porto allows him and his team to draw on influences from both Asia and Europe, informing the studio’s design process and inspiring new discoveries.

His works have won the Industrial Designers Society of America's IDEA Award, Japan Good Design Award, the Singapore President's Design Award and have been published and exhibited globally. He has guest lectured at Lasalle College of the Arts, National University of Singapore, University of Oregon, Pratt Institute, and served as a jury member at the Cannes Lions Festival.